ONLINE AUCTION
The Canadian Winter
1st session

December 20 - January 25, 2024

LOT DETAILS
          
          
          
          

This session is closed for bidding.
Current bid: $8,500 CAD
Bidding History
Paddle # Date Amount

30810 25-Jan-2024 01:03:08 PM $8,500 AutoBid

873042 25-Jan-2024 01:02:21 PM $8,000

30810 25-Jan-2024 12:59:50 PM $7,500 AutoBid

873042 25-Jan-2024 12:59:50 PM $7,000

30810 25-Jan-2024 12:55:31 PM $6,500 AutoBid

920070 25-Jan-2024 12:53:38 PM $6,000

873042 25-Jan-2024 12:50:13 PM $5,500

30810 24-Jan-2024 06:34:03 PM $5,000 AutoBid

325508 24-Jan-2024 06:34:03 PM $4,750

30810 17-Jan-2024 05:33:27 PM $4,500 AutoBid

325508 17-Jan-2024 02:32:39 PM $4,250

30810 14-Jan-2024 12:44:01 PM $4,000

28851 14-Jan-2024 12:43:40 PM $3,750 AutoBid

30810 14-Jan-2024 12:43:40 PM $3,500

28851 13-Jan-2024 09:59:37 PM $3,250 AutoBid

2076 23-Dec-2023 09:03:14 AM $3,000

The bidding history list updated on: Thursday, October 31, 2024 09:03:01

LOT 027

ARCA CSGA OC
1935 - 2022
Canadian

Early Winter
watercolour on paper
signed and dated Feb. 1968 and on verso signed, titled and inscribed "This is the property of Claudia (Howse) Saunders, C.K. Howse, Nov. 30th, 1971"
8 x 12 in, 20.3 x 30.5 cm

Estimate: $4,000 - $6,000 CAD

Sold for: $10,625

Preview at:

PROVENANCE
Purchased directly from the artist by Private Collection, St. John’s, Newfoundland
By descent to present Private Collection, Ontario


This nuanced, finely painted watercolour speaks to the extreme specificity and sensitivity of Christopher Pratt’s artistic practice and its place in Canadian art. It conveys, with a draughtsman’s precision, an expanse of land gently touched by the first snows of winter. Although exacting, this precision does not overwhelm the feeling of the work, which is of a heightened and subtly surreal tone, placing it well within the important tradition of East Coast magic realism. This tradition was initiated primarily by Alex Colville, who was a major influence on Pratt, having instructed the younger artist at Mount Allison University in Sackville, New Brunswick. Colville instilled a deep respect for technical rigour in his students, who also included Christopher’s then wife Mary Pratt. Colville’s influence can be sensed here in the fine renderings of form, and in the still-present grid lines on the paper—a hallmark of his instruction that aimed to ensure a geometric exactness and control. At the same time both meticulous and intimate, this is a work that emerged from an indelible and irreplaceable moment in Canadian art history.


All prices are in Canadian Dollars


Although great care has been taken to ensure the accuracy of the information posted, errors and omissions may occur. All bids are subject to our Terms and Conditions of Business. Bidders must ensure they have satisfied themselves with the condition of the Lot prior to bidding. Condition reports are available upon request.