LOT DETAILS
         
         
         
         

This session is closed for bidding.
Current bid: $4,750 CAD
Bidding History
Paddle # Date Amount

31465 28-Sep-2023 04:13:50 PM $4,750 AutoBid

919065 28-Sep-2023 03:58:31 PM $4,500 AutoBid

31465 28-Sep-2023 02:41:37 PM $4,250 AutoBid

919065 28-Sep-2023 02:41:37 PM $4,000 AutoBid

31465 28-Sep-2023 02:37:13 PM $3,750 AutoBid

919065 28-Sep-2023 02:36:21 PM $3,500 AutoBid

31465 28-Sep-2023 02:35:43 PM $3,250 AutoBid

919065 28-Sep-2023 02:35:43 PM $3,000 AutoBid

31465 28-Sep-2023 02:32:07 PM $2,750 AutoBid

18508 28-Sep-2023 02:29:26 PM $2,500

919065 28-Sep-2023 10:48:27 AM $2,250

31465 28-Sep-2023 10:02:03 AM $2,000 AutoBid

The bidding history list updated on: Sunday, May 19, 2024 01:15:51

LOT 403

1972 -
Canadian

Scotch Bonnet
ink and gouache on paper
signed and dated 2007 and on verso titled on a label
24 x 18 in, 61 x 45.7 cm

Estimate: $4,000 - $6,000 CAD

Sold for: $5,938

Preview at: Heffel Toronto – 13 Hazelton Ave

PROVENANCE
Jessica Bradley Art + Projects, Toronto
Collection of George Hartman and Arlene Goldman, Toronto

LITERATURE
Josée Drouin-Brisebois et al., Otherworld Uprising: Shary Boyle, Conundrum Press, 2008, reproduced page 19
Nancy Campbell, Noise Ghost and Other Stories, Justina M. Barnicke Gallery, 2016, reproduced page 17, listed page 53
Nancy Campbell, Shuvinai Ashoona: Life & Work, Art Canada Institute, 2017, reproduced page 28

EXHIBITED
Jessica Bradley Art + Projects, Toronto, Shary Boyle: Wonderlust, February 3 - March 3, 2007
Justina M. Barnicke Gallery, Hart House, University of Toronto, Noise Ghost: Shuvinai Ashoona and Shary Boyle, May 28 - August 23, 2009


Shary Boyle’s multidisciplinary practice explores the slippages that occur between imagination, perspectivity, and social history, and is almost always located in depictions of the figure. In mediums such as porcelain sculpture, installation, drawing, and painting, Boyle creates surrealistic worlds that are at once whimsical and slightly creepy, and seem to be set in the heady locales of enchanted forests or vaudeville circuses. Throughout, the figures she depicts are marginalized creatures that seem to be taken from folk myths and fairy tales: busted cartoons and toy dolls, lonely-girl monsters and sad-sack clowns. Baroque, imaginative, and darkly cosmic, her works provoke an excited bewilderment as they open up fissures of beauty and strangeness.


All prices are in Canadian Dollars


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