LOT DETAILS
This session is closed for bidding.
Current bid: $2,500 CAD
Bidding History
Paddle # Date Amount

823573 29-Feb-2024 06:59:41 PM $2,500

942142 29-Feb-2024 06:59:03 PM $2,250

871844 29-Feb-2024 06:46:38 PM $2,000

942142 29-Feb-2024 06:45:51 PM $1,900 AutoBid

871844 29-Feb-2024 06:45:51 PM $1,800

942142 29-Feb-2024 06:41:58 PM $1,700 AutoBid

7977 29-Feb-2024 06:41:58 PM $1,600

942142 29-Feb-2024 06:40:20 PM $1,500 AutoBid

7977 29-Feb-2024 06:40:20 PM $1,400

942142 29-Feb-2024 06:40:05 PM $1,300 AutoBid

7977 29-Feb-2024 06:40:05 PM $1,200

942142 26-Feb-2024 06:21:31 PM $1,100

823573 23-Feb-2024 06:04:53 PM $1,000

942142 09-Feb-2024 06:58:21 PM $900

816517 05-Feb-2024 01:07:41 AM $800

10173 02-Feb-2024 05:07:03 PM $700

The bidding history list updated on: Thursday, October 31, 2024 08:58:58

LOT 619

OC
1926 -
Canadian

Spanish Banks
woodcut on paper
signed, titled and editioned P.P. 1/3
14 1/8 x 24 1/2 in, 35.9 x 62.2 cm

Estimate: $1,500 - $2,000 CAD

Sold for: $3,125

Preview at:

PROVENANCE
Collection of Masato Arikushi, Vancouver

LITERATURE
Ian Thom, Takao Tanabe: New Prints, 1994, unpaginated
Ian Thom and Christine May, Takao Tanabe: Printmaker, Kelowna Art Gallery, 2023, reproduced page 61

EXHIBITED
West Vancouver Art Museum, A Modern Landscape: Takao Tanabe, May 26 — July 17, 2021, same image
Kelowna Art Gallery, Takao Tanabe: Printmaker, July 1 - October 1, 2023, same image, catalogue #69


Masato Arikushi is the master printer who worked in close collaboration with Takao Tanabe, Mary Pratt, E.J. Hughes and other distinguished artists to produce their important woodcut editions. Born in Hokkaido, Japan, Arikushi trained in the Japanese woodblock printing process under Toshi Yoshida in Tokyo. In 1980, he immigrated to Canada, where he resides today.

Takao Tanabe’s collaboration with Masato Arikushi began in 1981, working together to produce a remarkable series of woodcut images based on the artist’s paintings. Tanabe was much more directly involved than in the traditional printmaking process, and Arikushi took on the functions of blockcutter and printer, roles which would traditionally have been carried out by many technicians. The resulting images are works in their own right, capturing the spirit and essence of the paintings.

This edition P.P. 1/3 is aside from the edition of 200.

Please note: this work is unframed.


All prices are in Canadian Dollars


Although great care has been taken to ensure the accuracy of the information posted, errors and omissions may occur. All bids are subject to our Terms and Conditions of Business. Bidders must ensure they have satisfied themselves with the condition of the Lot prior to bidding. Condition reports are available upon request.