ONLINE AUCTION
International Art
5th session

April 04 - April 25, 2024

LOT DETAILS
         
         
         
         
         

This session is closed for bidding.
Current bid: $37,500 CAD
Bidding History
Paddle # Date Amount

33784 25-Apr-2024 04:19:56 PM $37,500

871723 25-Apr-2024 04:16:48 PM $35,000 AutoBid

33784 25-Apr-2024 04:16:48 PM $32,500

871723 25-Apr-2024 04:16:12 PM $30,000 AutoBid

33784 25-Apr-2024 04:16:12 PM $27,500

871723 25-Apr-2024 04:15:52 PM $25,000 AutoBid

33784 25-Apr-2024 04:15:52 PM $22,500

871723 25-Apr-2024 04:15:31 PM $20,000 AutoBid

33784 25-Apr-2024 04:15:31 PM $19,000

871723 25-Apr-2024 04:15:10 PM $18,000 AutoBid

33784 25-Apr-2024 04:15:10 PM $17,000

871723 25-Apr-2024 04:14:32 PM $16,000 AutoBid

33784 25-Apr-2024 04:14:32 PM $15,000

871723 24-Apr-2024 10:37:22 AM $14,000 AutoBid

The bidding history list updated on: Friday, May 03, 2024 11:27:22

LOT 429

1922 - 2007
American

RamBam - 1
acrylic on canvas
on verso signed, titled, dated 1976 and inscribed "76/057" twice and with the Downstairs Gallery inventory #DG 3930
60 x 48 in, 152.4 x 121.9 cm

Estimate: $15,000 - $25,000 CAD

Sold for: $46,250

Preview at:

PROVENANCE
Downstairs Gallery, Edmonton, 1977
By descent to the present Private Collection, Edmonton and then British Columbia

LITERATURE
Terry Fenton, Jules Olitski and the Tradition of Oil Painting, Edmonton Art Gallery, 1979, reproduced page 38 and listed page 42

EXHIBITED
Edmonton Art Gallery, Jules Olitski: Paintings of the 70s, September 12 - October 28, 1979, catalogue #27


An important voice in the Colour Field movement, Jules Olitski experimented throughout his career with thick paint and iridescent acrylic mediums, creating evocative relationships between form, surface and space.

RamBam - 1 is a striking example of how he explored these themes in the middle of his career. Whereas his earlier canvases appeared almost stained, stripping painting back to the essential elements of colour with an airy dematerialization, beginning in the 1970s he started to experiment with a refined palette - utilizing heavy impasto and broad, distinct brush-strokes, combined with his signature spray technique. In 1976, his painting became explorations of light and dark - RamBam - 1 is almost radiant and approaching a sculptural relief.

Olitski was championed early in his career by the art critic Clement Greenberg, and he represented the United States in the 1966 Venice Biennale. In 1969, he became the first living American artist to hold a solo show at the Metropolitan Museum of Art in New York. RamBam - 1 has been held in an important private collection since 1977 and was included in an exhibtion of Olitski's work at the Edmonton Art Gallery in 1979.


All prices are in Canadian Dollars


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