Résultats de vente William Brymner
Meilleurs résultats de la Maison Heffel


William Brymner
Afternoon Tea

28 1/8 x 36pouces 71.4 x 91.4cm
oil on canvas

Estimation:    25,000 $ - 35,000 $ CAN
Vendu pour:  35,400 $ CAN (prime d'achat incluse)
lors de la vente aux enchères de la Maison Heffel tenue le 27 novembre 2014
William Brymner
The Elms, Saint Eustache

24 x 19 1/2pouces 61 x 49.5cm
oil on board

Estimation:    2,500 $ - 3,500 $ CAN
Vendu pour:  18,750 $ CAN (prime d'achat incluse)
lors de la vente aux enchères de la Maison Heffel tenue le 29 août 2019
William Brymner
In the Selkirk Range

14 x 20 7/8pouces 35.6 x 53cm
oil on canvas on board

Estimation:    12,000 $ - 16,000 $ CAN
Vendu pour:  13,800 $ CAN (prime d'achat incluse)
lors de la vente aux enchères de la Maison Heffel tenue le 31 mai 2008
William Brymner
The Farm

28 1/2 x 21 1/4pouces 72.4 x 54cm
oil on canvas

Estimation:    7,000 $ - 9,000 $ CAN
Vendu pour:  10,625 $ CAN (prime d'achat incluse)
lors de la vente aux enchères de la Maison Heffel tenue le 2 juin 2018
William Brymner
Washing at the River's Edge

13 1/2 x 9 1/2pouces 34.3 x 24.1cm
oil on panel

Estimation:    7,000 $ - 9,000 $ CAN
Vendu pour:  8,625 $ CAN (prime d'achat incluse)
lors de la vente aux enchères de la Maison Heffel tenue le 27 mai 2006
William Brymner
Sailboat at Low Tide

10 x 13 1/2pouces 25.4 x 34.3cm
oil on panel

Estimation:    3,000 $ - 5,000 $ CAN
Vendu pour:  6,900 $ CAN (prime d'achat incluse)
lors de la vente aux enchères de la Maison Heffel tenue le 25 novembre 2004
William Brymner
Ross Peak

14 1/2 x 21 1/4pouces 36.8 x 54cm
oil on canvas

Estimation:    3,500 $ - 4,500 $ CAN
Vendu pour:  5,463 $ CAN (prime d'achat incluse)
lors de la vente aux enchères de la Maison Heffel tenue le 28 novembre 2003
William Brymner
Camp in the Rockies

15 1/2 x 21 1/2pouces 39.4 x 54.6cm
oil on canvas board

Estimation:    4,000 $ - 6,000 $ CAN
Vendu pour:  5,313 $ CAN (prime d'achat incluse)
lors de la vente aux enchères de la Maison Heffel tenue le 28 novembre 2019
William Brymner
In the Rockies

5 1/2 x 7pouces 14 x 17.8cm
oil on panel

Estimation:    3,000 $ - 5,000 $ CAN
Vendu pour:  4,720 $ CAN (prime d'achat incluse)
lors de la vente aux enchères de la Maison Heffel tenue le 28 janvier 2016
William Brymner
Country Cottage

6 x 9 5/8pouces 15.2 x 24.4cm
oil on board

Estimation:    2,500 $ - 3,500 $ CAN
Vendu pour:  4,600 $ CAN (prime d'achat incluse)
lors de la vente aux enchères de la Maison Heffel tenue le 27 mai 2004
William Brymner

William Brymner

1855 - 1925
CAC OSA PRCA RCA

Born in Greenock, Scotland, William Brymner moved to Melbourne, Quebec with his family in 1857. His father became Canada's first Dominion Archivist. Brymner first studied architecture in Ottawa, then went to Paris in 1878 for further studies in drawing and painting as part of his architectural training. While there, he decided to become an artist and enrolled at the Académie Julian. Art historian Paul Duval wrote that Brymner was "the first Canadian to study in Paris who later had a wide influence in Canada." His early work reflected an academic approach learned from French salon masters such as William Bouguereau, with subjects such as domestic figurative scenes. While in France, Brymner exhibited in 1885 with the Société des Artistes Français.

Brymner returned to Canada in 1886 and became Director of Art Classes at the Art Association of Montreal, where he taught until 1921. He was an influential teacher - he instructed artists who became well-known such as Clarence Gagnon, Edwin Holgate, Robert Pilot, Helen McNicoll and others - and he actively encouraged artists to pursue studies in Europe. By the end of the century, the influence of the Paris art scene was pervasive among Canadian artists.

In 1892, Brymner went west to paint the Rocky Mountains, commissioned by the Canadian Pacific Railway. In 1901, he painted in Venice, and in summer of 1908 in France on the Mediterranean coast in towns such as Martigues.

Brymner's mature style was one of open, light-filled atmospheric landscapes, in which he used lighter colours and looser brushwork. His work fused together his early academic approach with the new light and colour of Impressionism. Brymner associated with Canadian Impressionists James Wilson Morrice and Maurice Cullen, and in 1909 went on sketching trips with both artists around the Ile d'Orléans in Quebec.

Brymner was a member of the Canadian Art Club, an important early group based in Toronto. He was President of the Royal Canadian Academy from 1909 - 1921. In 1921 he retired from teaching and went on a trip to Europe, spending two years at Capri. He died in 1925 during a trip to England. His work in many museum collections, such as the Art Gallery of Ontario, the Montreal Museum of Fine Arts, the Quebec Provincial Museum and the National Gallery of Canada.

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