Efa Prudence Heward Sale Results
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Efa Prudence Heward
My Housekeeper's Daughter / Ploughing the Field (verso)

14 1/4 x 12in 36.2 x 30.5cm
1938
double-sided oil on board

Estimate: $25,000 - $30,000 CAD
Sold for:   $35,100 CAD (premium included)
at Heffel's Fall 2012 - 2nd Session auction on Thursday, November 22, 2012
Efa Prudence Heward
Farm Scene, Brockville

12 x 14in 30.5 x 35.6cm
circa 1938
oil on board

Estimate: $15,000 - $20,000 CAD
Sold for:   $34,250 CAD (premium included)
at Heffel's Canadian, Impressionist & Modern Art auction on Wednesday, November 20, 2019
Efa Prudence Heward
Near Cowansville, Quebec

12 x 14in 30.5 x 35.6cm
oil on panel

Estimate: $12,000 - $15,000 CAD
Sold for:   $27,600 CAD (premium included)
at Heffel's Fine Canadian Art Fall 2005 auction on Thursday, November 24, 2005
Efa Prudence Heward
Farm Scene, Brockville

12 x 14in 30.5 x 35.6cm
circa 1938
oil on board

Estimate: $20,000 - $30,000 CAD
Sold for:   $26,325 CAD (premium included)
at Heffel's Fall 2011 - 2nd Session auction on Thursday, November 24, 2011
Efa Prudence Heward
Granary Buildings

12 x 14in 30.5 x 35.6cm
oil on board

Estimate: $10,000 - $15,000 CAD
Sold for:   $23,600 CAD (premium included)
at Heffel's November 2016 - 6th Session auction on Saturday, November 26, 2016
Efa Prudence Heward
Landscape

12 x 14in 30.5 x 35.6cm
oil on panel

Estimate: $5,000 - $8,000 CAD
Sold for:   $23,000 CAD (premium included)
at Heffel's Fine Canadian Art Fall 2004 auction on Thursday, November 25, 2004

Not reproduced

Efa Prudence Heward
Landscape

12 x 14in 30.5 x 35.6cm
oil on board

Estimate: $20,000 - $30,000 CAD
Sold for:   $22,500 CAD (premium included)
at Heffel's May 2017 - 4th Session auction on Saturday, May 27, 2017
Efa Prudence Heward
Barns in Winter

7 1/2 x 9 1/2in 19.1 x 24.1cm
oil on board

Estimate: $3,500 - $4,500 CAD
Sold for:   $20,000 CAD (premium included)
at Heffel's February 2017 - 3rd Session auction on Thursday, February 23, 2017
Efa Prudence Heward
Farm on the St. Lawrence Near Brockville

12 1/4 x 14in 31.1 x 35.6cm
oil on board

Estimate: $10,000 - $15,000 CAD
Sold for:   $15,000 CAD (premium included)
at Heffel's Fine Canadian Art Highlights auction on Thursday, November 28, 2019
Efa Prudence Heward
Interior, St. Sauveur (Study for 'Rosaire')

12 x 14 1/4in 30.5 x 36.2cm
oil on board

Estimate: $12,000 - $16,000 CAD
Sold for:   $15,000 CAD (premium included)
at Heffel's Fine Canadian Art Highlights auction on Thursday, November 28, 2019
Image not available

Efa Prudence Heward

1896 - 1947
BHG CAS CGP

Prudence Heward was born in Montreal in 1896. She was encouraged to study art at an early age by her supportive family, taking lessons at the Art Association of Montreal under William Brymner beginning in 1909, and proved her skill by winning awards for excellence there in 1911 and 1912 as well as the school’s Robert Reford Prize for the best painting by a student in 1916. During World War I the Heward family went to England where Prudence worked with her mother for the Red Cross. Upon her return to Montreal in 1919, she resumed her art education at the AAM under Randolph Hewton, winning the Robert Reford Prize again in 1923 and 1924, as well as the Women’s Art Society award, also in 1924.
It was at the AAM that she met Sarah Robertson, Ethel Seath and Kathleen Morris, women with whom she would remain friends throughout her life. All of them had joined the Beaver Hall Group in about 1920, a group so named because of their studio rooms in an old house on Beaver Hall Hill in downtown Montreal. The buildings of the area around it appear often in the work of this modernist group that also included André Biéler, Emily Coonan, Robert Pilot, Anne Savage, Albert Robinson, Lilas Torrance Newton and others. The Hill area takes its name from the estate of Joseph Frobisher, who built an expansive home there in about 1792, having made his fortune in the beaver pelt fur trade. The house also served as a gallery, and the group mounted exhibitions of their work in the main floor spaces, the first taking place in January of 1921. A.Y. Jackson was also part of this group; he introduced Beaver Hall painters to members of the Group of Seven, Heward in particular, who was invited to show with the Group in 1928, 1930 and 1931. Jackson stated, "In my opinion, she was the very best painter we ever had in Canada...I wanted her to join the Group of Seven, but like the Twelve Apostles, no women were included."
In addition to exhibiting, Heward continued her art education, taking plein air painting classes with Maurice Cullen during the summers and returning to London and Paris in 1925, enrolling at the Académie Colarossi and later the École des Beaux-Arts under Bernard Naudin. She returned to Canada at the end of 1925, but would make one further trip to Paris in 1928 with Isabel McLaughlin, and studied at the Académie Scandinave. In 1928, she painted the important work Girl on a Hill, which was awarded the pan-Canadian Willingdon Prize and acquired by the National Gallery of Canada the following year. W. Scott & Sons in Montreal mounted a solo show of her work in 1932, and after her death in 1947 several retrospectives were devoted to her work, including one at the National Gallery of Canada.
As well as being part of the Beaver Hall Group, Heward was a founding member of the Canadian Group of Painters and the Contemporary Arts Society of Montreal, as well as a member of the Federation of Canadian Artists. Her work is represented in several important public collections in Canada, including the Art Gallery of Ontario and the Hart House Permanent collection. She was particularly known for her sensitive and bold depictions of the figure.

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