LOT 035

ARCA SAPQ
1939 - 2014
Canadian

Odette
acrylic on canvas
signed and dated 1965 and on verso signed, titled, dated and inscribed "2123" and "$200.00" on the gallery label
57 x 14 po 144.8 x 35.6 cm

Estimation : $7,000 - $9,000

Vendu pour : $21,060

Exposition à : Heffel Toronto – 13 avenue Hazelton

PROVENANCE
Galerie du Siècle, Montreal
Private Collection, Toronto

BIBLIOGRAPHIE
Roald Nasgaard, Abstract Painting in Canada, 2007, page 208


The 1960s were an exciting and formative period for Jacques Hurtubise. A grant in 1960 enabled him to travel to New York, exposing him to the spontaneous and physical work of the Abstract Expressionists. However, by the mid-1960s, Hurtubise began to develop his own artistic voice with his important “splash” paintings, which were deliberate, formalized and mechanically drawn with a stencil. As exemplified in the elongated Odette, he focused on bold, simplified geometric elements with popping colour contrasts, producing an effect of a foreground that recedes into an emerging background. Regarding the splash paintings, Roald Nasgaard writes: “Sometimes the paintings are as much Pop art as Op. Hurtubise’s conventionalized splashes and Roy Lichtenstein’s brush-strokes are more or less contemporary. Hurtubise’s splash paintings are Warholian too, sporting their flashy iconic impact with the panache of a Marilyn on a gold ground. The association is not far-fetched, given that Hurtubise titled his 1965 paintings with the names of women.” Produced during his most sought-after time period and as eye-catching as it is important, Odette is a spunky reflection of Hurtubise’s unique contribution to abstraction in post-Automatist Quebec.


Estimation : $7,000 - $9,000

Tous les prix affichés sont en dollars canadiens


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