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Enchère actuelle: 45 000 $ CAD
Historique des enchères
# de palette Date Prix

9541 28 nov. 2019 | 10 : 04 : 15 45 000 $ Enchère automatique

1709 28 nov. 2019 | 10 : 03 : 42 42 500 $ Enchère automatique

9541 28 nov. 2019 | 10 : 03 : 41 40 000 $

1709 28 nov. 2019 | 10 : 03 : 26 37 500 $ Enchère automatique

9541 28 nov. 2019 | 10 : 02 : 25 35 000 $

1709 28 nov. 2019 | 10 : 01 : 16 32 500 $

9541 28 nov. 2019 | 09 : 58 : 40 30 000 $ Enchère automatique

1709 28 nov. 2019 | 09 : 58 : 40 27 500 $

9541 28 nov. 2019 | 09 : 58 : 15 25 000 $ Enchère automatique

1709 28 nov. 2019 | 09 : 58 : 15 22 500 $

9541 26 nov. 2019 | 09 : 26 : 45 20 000 $ Enchère automatique

La liste de l'historique des enchères a été mise à jour le: vendredi, 17 mai 2024 | 18h 30m 53s

LOT 206

ARCA OC OSA
1927 - 1977
Canadien

Untitled (from the Burning Barn Series)
huile sur panneau
paraphé et daté et au verso inscrit
22 1/2 x 48 po, 57.2 x 121.9 cm

Estimation : 20 000 $ - 30 000 $ CAD

Vendu pour : $55,250

Exposition à : Heffel Toronto – 13 avenue Hazelton

PROVENANCE
Art Gallery of Edmonton
Acquired from the above by a Private Collection, Quebec, circa 1969
Sold sale of Heffel Fine Art Auction House, November 28, 2019, lot 206

EXPOSITION
Hart House Art Gallery, University of Toronto, The Burning Barn: 16 Paintings by William Kurelek, March 11 – 29, 1969


This dramatic work was previously known to researchers of William Kurelek’s work, but its location was unknown until now. It has been in the same collection since its acquisition from the Art Gallery of Edmonton in 1969. It is a painting full of meaning, and was part of the Burning Barn series. Kurelek was intensely religious, a product of his soulful self-searching – reflected in the title of a circa 1953 work – Where Am I? Who Am I? Why Am I? His beliefs formed the imagery in some of the most intense and significant works in his oeuvre. Kurelek was well aware of social issues in the 1960s. As Andrew Kear comments, “Kurelek was doing most of his work when globalization was just beginning. He was painting after the Cuban Missile Crisis, when people believed ‘The end is nigh!’ ” The Burning Barn series was based on Kurelek’s belief that humanity was as “a child playing in a burning barn, blind to its own mistakes and to the world’s suffering.” The artist’s careful attention to detail is seen everywhere in the work, as well as his focus on telling the story – Christ stands over the man, who crouches humbly before him, clearly repentant. Although he is a farmer, not a part of urbanity, he is a part of the world - with Kurelek’s admonition of what could happen without our intervention in the background. Kurelek’s social critique is still just as relevant today as it was over 50 years ago.

This work is in the original frame made by Kurelek.


Tous les prix affichés sont en dollars canadiens.


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