CPE OC
1923 - 2008
Canadien
Fragments
eau-forte sur papier
signé, édition et daté et au verso inscrit et étampé
11 3/4 x 8 3/4 po, 29.8 x 22.2 cm
Estimation : 800 $ - 1 200 $ CAD
Vendu pour : $1,375
Exposition à :
PROVENANCE
Estate of the Artist
BIBLIOGRAPHIE
Rosemarie L. Tovell, The Prints of Betty Goodwin, National Gallery of Canada, 2002, page 11, listed and reproduced page 185
Please note: the full sheet size of this work is 25 1/2 x 19 1/2 inches.
Born in Montreal in 1923, Betty Goodwin worked for nearly 50 years in a variety of media – painting, drawing, collage, printmaking and sculpture. Often associated with themes of loss, absence and memory, her works are poignant and connect deeply with both the public and critics. In 1968, Goodwin attended Yves Gaucher’s etching class at Sir George Williams University (now Concordia University). This decision proved immensely significant for her career, as printmaking allowed her to reconnect to her artistic beginnings and brought her national and international recognition. In the words of art historian and curator Rosemarie L. Tovell, “over the last three decades, Goodwin has created one of the most significant and original bodies of prints produced by any Canadian artist.”
Similar to her earlier still life paintings, Goodwin focused on household objects for her printmaking practice, often running the actual object through the soft-ground plate to better capture its essence. Fragments was created by running a button, buttonhole, a needle and thread through the press.
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