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This session is closed for bidding.
Current bid: $1,500 CAD
Bidding History
Paddle # Date Amount

872712 22-Sep-2025 06:14:46 PM $1,500

37927 22-Sep-2025 04:26:19 PM $1,400

872712 11-Sep-2025 07:42:01 AM $1,300

The bidding history list updated on: Thursday, January 15, 2026 09:24:37

LOT 003

BCSFA CGP OC RCA
1913 - 2007
Canadian

Howe Sound from Hopkins Landing
graphite on paper, 1935
signed and on verso titled and dated 1936 on a label
9 x 12 in, 22.9 x 30.5 cm

Estimate: $2,500 - $3,500 CAD

Sold for: $1,875

Preview at:

PROVENANCE
Barbeau Owen Foundation Collection, Vancouver

LITERATURE
Ian M. Thom, E.J. Hughes, Vancouver Art Gallery, 2002, the drypoint etching reproduced page 26
Jacques Barbeau, A Journey with E.J. Hughes: One Collector’s Odyssey, 2005, the pencil sketch and the drypoint etching reproduced page 33 and listed page 106
Jacques Barbeau, E.J. Hughes Through the Decades, Volume 2, The Paper Works, 1931 – 1986, 2014, titled as Hopkins Landing, reproduced page 11 and listed page 84


E.J. Hughes began studying at the Vancouver School of Decorative and Applied Art in 1929, graduating in 1933. He completed post-graduate studies there in 1934 and 1935. E.J. Hughes returned to the view of Howe Sound from Hopkins Landing repeatedly over the course of his career, this pencil sketch marking the earliest treatment of the subject. In 1935 he reinterpreted the view as an etching, followed in 1952 by an oil on canvas and fifty years later, in 2002, Hughes revisited the subject once more in watercolour, demonstrating its enduring personal and artistic significance.

The Vancouver School of Decorative and Applied Arts (VSDAA) opened on October 1, 1925, marking the beginning of formalized art education in the city. Founded through the efforts of the British Columbia Society of Fine Arts, the school was a response to Vancouver’s rapid growth and the need for cultural institutions. Under its first director, Charles H. Scott, and with prominent faculty including Jock Macdonald and Fred Varley, the VSDAA quickly became a centre of artistic activity. A vibrant social and intellectual community grew around the school, supported by figures such as John Vanderpant and Harold Mortimer Lamb. In 1933 the school was renamed the Vancouver School of Art, and over the decades it continued to expand, eventually becoming Emily Carr University of Art + Design. In 2025 the institution celebrates its centenary, a testament to its enduring role in shaping the cultural landscape of Vancouver and beyond.


All prices are in Canadian Dollars


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