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LOT DETAILS
This session is closed for bidding.
Current bid: $2,500 CAD
Bidding History
Paddle # Date Amount

22431 28-Jul-2022 02:15:07 PM $2,500

17994 28-Jul-2022 02:14:05 PM $2,250

22431 28-Jul-2022 02:12:46 PM $2,000

17994 28-Jul-2022 02:09:02 PM $1,900

22431 28-Jul-2022 02:08:11 PM $1,800

17994 28-Jul-2022 01:54:46 PM $1,700

9804 28-Jul-2022 01:54:24 PM $1,600 AutoBid

17994 28-Jul-2022 01:54:24 PM $1,500

9804 28-Jul-2022 01:53:58 PM $1,400 AutoBid

17994 28-Jul-2022 01:53:58 PM $1,300

9804 28-Jul-2022 01:53:11 PM $1,200 AutoBid

17994 28-Jul-2022 10:58:37 AM $1,100

847382 28-Jul-2022 10:47:32 AM $1,000

824090 26-Jul-2022 06:46:51 PM $900

824052 24-Jul-2022 12:46:02 AM $800

The bidding history list updated on: Thursday, March 28, 2024 09:06:59

LOT 109

BCSFA OC
1946 -
Canadian Indigenous

Split U
colour silkscreen on paper
signed, titled, editioned I/III P.P., dated 2006 and stamped with the printer's blindstamp
30 x 40 in, 76.2 x 101.6 cm

Estimate: $1,500 - $2,500 CAD

Sold for: $3,125

Preview at:

PROVENANCE
Acquired directly from the Artist by the present Private Collection, Vancouver

LITERATURE
Karen Duffek et. Al, Robert Davidson: The Abstract Edge, Museum of Anthropology, 2004, acrylic original reproduced page 39


Celebrated internationally, Robert Davidson has devoted his life’s work to the evolution and radical re-interpretation of Haida design vocabulary. The great-grandson of legendary artist Charles Edenshaw, Davidson is considered a leading figure of the Haida cultural renaissance, and draws on historical forms both Western and Indigenous in creating a hybrid visual language.

This series of 20 silkscreen prints comes from the collection of the Vancouver-based artist who assisted Davidson in their production. Created over a decade from 2001 to 2011, these meticulous and precise works pay homage to the important tradition of printmaking in Indigenous art. They are a culmination of Davidson’s exploration of form in images woven with history and myth, and condensed to their essential graphic elements of line and colour.

Davidson’s work has been the subject of major retrospectives, including Eagle of the Dawn at the Vancouver Art Gallery in 1993 and The Abstract Edge at the Museum of Anthropology at UBC in 2004, the latter of which included several original paintings on which Davidson based a number of these silkscreen prints.

The National Gallery of Canada has an edition of this print in their collection.

Please note: this work is unframed.


All prices are in Canadian Dollars


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