LOT DETAILS
         
         
         

This session is closed for bidding.
Current bid: $37,500 CAD
Bidding History
Paddle # Date Amount

14592 01-May-2020 03:20:54 PM $37,500

29808 01-May-2020 03:11:44 PM $35,000 AutoBid

14592 01-May-2020 03:11:44 PM $32,500

29808 01-May-2020 03:03:14 PM $30,000 AutoBid

14592 01-May-2020 03:02:16 PM $27,500

816310 29-Apr-2020 10:30:27 PM $25,000

29808 19-Apr-2020 05:43:46 AM $22,500

31287 18-Apr-2020 02:33:34 PM $20,000

29808 13-Apr-2020 03:47:51 PM $19,000 AutoBid

15729 13-Apr-2020 03:47:51 PM $18,000

29808 12-Apr-2020 11:40:07 PM $17,000 AutoBid

15729 12-Apr-2020 10:55:34 PM $16,000

29808 04-Apr-2020 03:04:31 AM $15,000

31668 03-Apr-2020 10:26:38 PM $14,000

The bidding history list updated on: Thursday, April 25, 2024 03:50:08

LOT 218

ALC CGP G7 OSA RCA RSA
1882 - 1974
Canadian

Autumn, Algoma
oil on board
signed and on verso titled on the gallery label
10 1/2 x 13 1/2 in, 26.7 x 34.3 cm

Estimate: $15,000 - $20,000 CAD

Sold for: $46,250

Preview at:

PROVENANCE
Dominion Gallery, Montreal
Private Collection, Montreal
Sold sale of Centennial Celebration: 100 Years of the Group of Seven Online auction, Heffel Fine Art Auction House, May 1, 2020, lot 218


The word Algoma stems from the name of the region’s First Peoples, the Algonquin, and their word for lake, which a glance at a map of the region will affirm: this is lake country. This part of the ancient mountain range that is the Canadian Shield, is all rolling hills separated by lakes. It seems only natural that a dedicated plein air master like A.Y. Jackson would have chosen this subject for another breath-taking depiction of the wilderness.

Unlike many of Jackson’s Quebec landscapes or his western Prairie scenes, where some vestige of human activity in the form of a shack, fence post or a road appears, here we have just wilderness, interpreted by a veteran of the Canadian landscape. Jackson shared a cabin near Wawa, Ontario starting in 1955, which is located in the Algoma District, on the north-east shore of Lake Superior. Based on the maturity of style in this piece, and its title, it is likely that Autumn, Algoma dates from this time.

In this work, Jackson’s signature style emerges in full stride, manifested in the painting’s lively, rhythmic, flowing contours and exceptional attention to a wide array of tertiary colours, punctuated by the brash red-orange in the tree to the left and the vivid green vegetation to the right of the foreground. Vestiges of summer’s warmth seem to linger in the air, as the colours of Canada’s northern wilderness announce the fall in dramatic fashion.


All prices are in Canadian Dollars


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