ONLINE AUCTION
Post-War & Contemporary Art
6th session

March 07 - March 28, 2019

LOT DETAILS
This session is closed for bidding.
Current bid: $9,000 CAD
Bidding History
Paddle # Date Amount

26443 28-Mar-2019 03:14:04 PM $9,000

22432 28-Mar-2019 03:01:45 PM $8,500

17692 28-Mar-2019 02:59:38 PM $8,000

22432 28-Mar-2019 01:16:04 PM $7,500

17692 15-Mar-2019 11:20:32 AM $7,000

The bidding history list updated on: Thursday, May 09, 2024 03:09:49

LOT 531

1950 - 2023
Canadian

Still Life
encaustic on canvas
on verso signed and dated 1985
60 x 72 in, 152.4 x 182.9 cm

Estimate: $10,000 - $15,000 CAD

Sold for: $11,250

Preview at:

PROVENANCE
Waddington & Gorce Inc., Montreal
Acquired from the above by the present Important Private Collection, Montreal, then California

LITERATURE
David Moos, Tony Scherman: New Mythologies, 2011, unpaginated


In the still life part of his oeuvre, Tony Scherman has often depicted delectable fruit, but here his image is dominated by a large joint of meat. Works such as this relate to old master still life paintings from previous centuries, of tables piled with game, fish and meat displayed on tablecloths, in which artists showcased their exquisite mastery of technique. Scherman employs the same device, using a pale cloth to show off the foodstuffs and objects on the tabletop. But his work is modern in technique, particularly in its sensuously worked and scored encaustic surfaces, such as the luscious coral-pink background contrasted by green streaks. Regarding his use of this medium, Leah Ollman commented, “The pigmented wax is at once succulent and tough, seeming to vacillate between liquid and solid states. It ripples and furrows, drips in long trails, gathers in gritty crusty patches. Rubbed to the point of abrasion in places, it’s glazed to a rich shine in others and occasionally scorched down to the canvas’s raw, naked weave.” Swooping into the scene is an interloper - a bird desirous of snatching a morsel - creating an intriguing narrative.


All prices are in Canadian Dollars


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