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This session is closed for bidding.
Current bid: $7,500 CAD
Bidding History
Paddle # Date Amount

28001 31-Mar-2022 02:08:07 PM $7,500 AutoBid

18467 31-Mar-2022 02:08:07 PM $7,000

28001 31-Mar-2022 12:07:43 PM $6,500

18467 31-Mar-2022 12:07:15 PM $6,000 AutoBid

28001 31-Mar-2022 12:07:15 PM $5,500

18467 31-Mar-2022 12:02:59 PM $5,000 AutoBid

28001 23-Mar-2022 04:52:40 PM $4,750 AutoBid

818579 23-Mar-2022 04:52:27 PM $4,500 AutoBid

28001 23-Mar-2022 04:52:27 PM $4,250 AutoBid

818579 23-Mar-2022 04:52:16 PM $4,000 AutoBid

28001 23-Mar-2022 04:52:16 PM $3,750 AutoBid

818579 23-Mar-2022 04:52:08 PM $3,500 AutoBid

28001 23-Mar-2022 04:52:08 PM $3,250 AutoBid

818579 23-Mar-2022 04:51:56 PM $3,000 AutoBid

28001 23-Mar-2022 04:51:56 PM $2,750 AutoBid

818579 23-Mar-2022 04:51:45 PM $2,500 AutoBid

28001 23-Mar-2022 04:51:45 PM $2,250 AutoBid

818579 23-Mar-2022 04:51:34 PM $2,000 AutoBid

28001 23-Mar-2022 04:51:34 PM $1,900 AutoBid

818579 23-Mar-2022 04:51:14 PM $1,800 AutoBid

28001 23-Mar-2022 04:51:12 PM $1,700 AutoBid

818579 22-Mar-2022 11:10:04 AM $1,600 AutoBid

28001 10-Mar-2022 02:52:29 PM $1,500

The bidding history list updated on: Friday, March 29, 2024 03:31:37

LOT 219

CPE OC
1923 - 2008
Canadian

Vest Nine
etching on paper
on verso inscribed "BG-E-(1972)-04" and stamped Studio Betty Goodwin
27 5/8 x 21 7/8 in, 70.2 x 55.6 cm

Estimate: $3,000 - $4,000 CAD

Sold for: $9,375

Preview at:

PROVENANCE
Estate of the Artist

LITERATURE
Rosemarie L. Tovell, The Prints of Betty Goodwin, National Gallery of Canada, 2002, page11, listed and same image reproduced page 183


Born in Montreal in 1923, Betty Goodwin worked for nearly 50 years in a variety of mediums – painting, drawing, collage, printmaking and sculpture. Often associated with themes of loss, absence and memory, her works are poignant and connect deeply with both the public and critics. In 1968, Goodwin attended Yves Gaucher’s etching class at Sir George Williams University (now Concordia University). This decision proved immensely significant for her career, as printmaking allowed her to reconnect to her artistic beginnings and brought her national and international recognition. In the words of art historian and curator Rosemarie L. Tovell “Over the last three decades, Goodwin has created one of the most significant and original bodies of prints produced by any Canadian artist.”

Similar to her earlier still life paintings, Goodwin focused on household objects for her printmaking practice, often running the actual object through the soft-ground plate to better capture its essence. Many of her series focused on different articles of clothing, as she was interested in their anthropomorphic qualities. Among these works, her Vest series is especially significant, and is very personal to the artist. Spanning four years, the series was directly inspired by her two “fathers” - her biological father, who trained as a tailor in Romania and worked as a factory owner and vest-maker, and her artistic mentor Joseph Beuys, who often wore vests.


All prices are in Canadian Dollars


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