LOT DETAILS
         
         
         
         

This session is closed for bidding.
Current bid: $800 CAD
Bidding History
Paddle # Date Amount

871243 31-Mar-2022 03:01:56 PM $800

30590 31-Mar-2022 02:58:33 PM $700 AutoBid

871206 29-Mar-2022 09:26:05 PM $600

33968 14-Mar-2022 01:01:12 PM $500

The bidding history list updated on: Wednesday, April 24, 2024 07:05:10

LOT 201

CPE OC
1923 - 2008
Canadian

Fragments
etching on paper
signed, editioned working proof and dated 1973 and on verso inscribed "BG-E-1973-11" and "V.042" and stamped Studio Betty Goodwin
11 3/4 x 8 3/4 in, 29.8 x 22.2 cm

Estimate: $1,000 - $1,500 CAD

Sold for: $1,000

Preview at: Heffel Montreal

PROVENANCE
Estate of the Artist

LITERATURE
Rosemarie L. Tovell, The Prints of Betty Goodwin, National Gallery of Canada, 2002, page 11, listed and same image reproduced page 185


Born in Montreal in 1923, Betty Goodwin worked for nearly 50 years in a variety of mediums – painting, drawing, collage, printmaking and sculpture. Often associated with themes of loss, absence and memory, her works are poignant and connect deeply with both the public and critics. In 1968, Goodwin attended Yves Gaucher’s etching class at Sir George Williams University (now Concordia University). This decision proved immensely significant for her career, as printmaking allowed her to reconnect to her artistic beginnings and brought her national and international recognition. In the words of art historian and curator Rosemarie L. Tovell “Over the last three decades, Goodwin has created one of the most significant and original bodies of prints produced by any Canadian artist.”

Similar to her earlier still life paintings, Goodwin focused on household objects for her printmaking practice, often running the actual object through the soft-ground plate to better capture its essence. Fragments was created by running a button, buttonhole, a needle and thread through the press.


All prices are in Canadian Dollars


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