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LOT DETAILS
         
         
         
         

This session is closed for bidding.
Current bid: $5,500 CAD
Bidding History
Paddle # Date Amount

30422 31-Mar-2022 02:22:39 PM $5,500 AutoBid

325320 31-Mar-2022 02:22:39 PM $5,000

30422 31-Mar-2022 02:19:06 PM $4,750 AutoBid

325320 31-Mar-2022 02:19:06 PM $4,500

30422 31-Mar-2022 01:20:31 PM $4,250 AutoBid

325320 31-Mar-2022 01:20:31 PM $4,000

30422 31-Mar-2022 01:04:33 PM $3,750 AutoBid

325320 31-Mar-2022 12:51:17 PM $3,500

30422 31-Mar-2022 12:00:58 PM $3,250

325320 31-Mar-2022 10:58:57 AM $3,000

16227 30-Mar-2022 05:48:24 PM $2,750

The bidding history list updated on: Thursday, March 28, 2024 04:48:58

LOT 317

AANFM AAP ASQ
1929 -
Canadian

Sans titre
acrylic on Saint-Armand paper
signed and dated 2002 and on verso signed, dated 5/10/2 and inscribed with the inventory number 546 (circled) and "Île Perrot"
18 x 18 in, 45.7 x 45.7 cm

Estimate: $5,000 - $7,000 CAD

Sold for: $6,875

Preview at: Heffel Montreal

PROVENANCE
Collection of the Artist


Armand Vaillancourt was born in Black Lake in 1929 and raised on a farm in St-Ferdinand, in a time when everything was done by hand. Vaillancourt arrived in Montreal in 1951, bringing the boundless energy of a pioneer. The artist first entered the public eye in 1953 with his debut public work, L’Arbre de la rue Durocher. As Marie-Ève Beaulé wrote, “This essential work by Vaillancourt marks the beginning of modern sculpture in Quebec.”(1) Today at age 92, Vaillancourt the sculptor and painter— one of the fathers of modern sculpture in Canada and master of material expressionism—maintains an influential presence in the art world. Since the early 1980s, his body of work has been enriched by his passionate painting practice from which is taken this selection of works chosen by the artist. We are very proud to collaborate with Heffel Fine Art Auction House for this inaugural sale.

Driven by a consuming fascination with material, Armand Vaillancourt uses supports of a wide variety of formats, colours and texture, embracing their intrinsic qualities to make them an inherent part of the work. The vibrancy of this painting is accentuated by the circular movements and the light radiating from the swaths of yellow and glints of white paper breaching the colour.

1. Marie-Ève Beaulé, Inter: art actuel, no. 111, 2012.

We thank Joanne Beaulieu, vice-president of the Fondation Armand-Vaillancourt, for contributing the original French essay.

Although we tend to think of Armand Vaillancourt as an artist who chisels more than he paints, it is time to take a closer look at his signature expressionism in paint. An inventive and extraordinary creator with wide-ranging interests, his prodigious pictorial output has been a constant throughout his career. His paintings, drawings and prints have always expressed his passion for the role of art in society, with every work a performative clash of energies in which the creative impulse of colours dominates both material and tool—all is movement and action in his hands. In this sense, Vaillancourt is a media figure, inseparable from his work as the herald of the struggle for greater social justice. He expresses the gestural poetry of being alive—cutting pieces of daily life into letters, lines, figures and abstract shapes. Therein lies the rightness and relevance of Vaillancourt’s paintings - neither splintered nor fragmented, each of his works contains the full fervour of his life made art.

We thank Guy Sioui Durand, Wendat, sociologist, art critic and independent curator, contributing the original French essay.


All prices are in Canadian Dollars


Although great care has been taken to ensure the accuracy of the information posted, errors and omissions may occur. All bids are subject to our Terms and Conditions of Business. Bidders must ensure they have satisfied themselves with the condition of the Lot prior to bidding. Condition reports are available upon request.