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This session is closed for bidding.
Current bid: $2,500 CAD
Bidding History
Paddle # Date Amount

33773 25-Mar-2021 03:51:19 PM $2,500 AutoBid

822830 25-Mar-2021 03:51:19 PM $2,250

33773 25-Mar-2021 03:40:41 PM $2,000 AutoBid

34676 25-Mar-2021 11:16:05 AM $1,900 AutoBid

9875 25-Mar-2021 11:16:05 AM $1,800

34676 13-Mar-2021 03:38:35 PM $1,700 AutoBid

490 13-Mar-2021 03:38:35 PM $1,600 AutoBid

34676 13-Mar-2021 03:38:35 PM $1,500 AutoBid

490 13-Mar-2021 03:38:35 PM $1,400 AutoBid

34676 13-Mar-2021 03:38:35 PM $1,300 AutoBid

490 13-Mar-2021 03:38:35 PM $1,200 AutoBid

34676 13-Mar-2021 03:38:35 PM $1,100 AutoBid

490 10-Mar-2021 03:58:53 PM $1,000 AutoBid

The bidding history list updated on: Thursday, March 28, 2024 02:48:21

LOT 302

CPE OC
1923 - 2008
Canadian

Profile of a Glove (Gloves No. 3)
etching on paper
titled, editioned Proof 1 and dated August 1970 and on verso inscribed "BG-E-1970-09" and "GL.025" and stamped Studio Betty Goodwin
14 3/4 x 18 in, 37.5 x 45.7 cm

Estimate: $2,000 - $3,000 CAD

Sold for: $3,125

Preview at: Heffel Montreal

PROVENANCE
Estate of the Artist

LITERATURE
Rosemarie L. Tovell, The Prints of Betty Goodwin, National Gallery of Canada, 2002, page 11, listed page 147 and reproduced page 146


Please note: the full sheet size of this work is 15 3/4 x 18 3/4 inches.

Born in Montreal in 1923, Betty Goodwin worked for nearly 50 years in a variety of media – painting, drawing, collage, printmaking and sculpture. Often associated with themes of loss, absence and memory, her works are poignant and connect deeply with both the public and critics. In 1968, Goodwin attended Yves Gaucher’s etching class at Sir George Williams University (now Concordia University). This decision proved immensely significant for her career, as printmaking allowed her to reconnect to her artistic beginnings and brought her national and international recognition. In the words of art historian and curator Rosemarie L. Tovell, “over the last three decades, Goodwin has created one of the most significant and original bodies of prints produced by any Canadian artist.”

Similar to her earlier still life paintings, Goodwin focused on household objects for her printmaking practice, often running the actual object through the soft-ground plate to better capture its essence. Many of her series focused on different articles of clothing, as she was interested in their anthropomorphic qualities. Her Gloves series was one of her first soft-ground etching subjects, and depicts the same kind of gloves she would wear while making her prints.

There exists two variations of Profile of a Glove (Gloves No. 3), one with the fingers pointed down and the other with fingers pointing up. She also experimented with a different colour scheme for the three gloves (blue, red and black).


All prices are in Canadian Dollars


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