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This session is closed for bidding.
Current bid: $4,000 CAD
Bidding History
Paddle # Date Amount

9875 25-Mar-2021 04:06:08 PM $4,000

25491 25-Mar-2021 04:03:41 PM $3,750

9875 25-Mar-2021 04:02:25 PM $3,500

2556 25-Mar-2021 03:59:53 PM $3,250

33773 25-Mar-2021 03:58:25 PM $3,000 AutoBid

2556 25-Mar-2021 03:58:25 PM $2,750

33773 25-Mar-2021 03:57:28 PM $2,500 AutoBid

25491 25-Mar-2021 03:56:49 PM $2,250

33773 25-Mar-2021 03:53:54 PM $2,000 AutoBid

25491 25-Mar-2021 03:53:54 PM $1,900

33773 25-Mar-2021 03:39:49 PM $1,800 AutoBid

822830 25-Mar-2021 02:57:01 PM $1,700

37480 23-Mar-2021 07:16:31 PM $1,600

822783 22-Mar-2021 12:24:58 PM $1,500

11900 07-Mar-2021 06:26:23 PM $1,400

37480 07-Mar-2021 02:13:28 PM $1,300

11900 05-Mar-2021 08:11:55 PM $1,200

37480 05-Mar-2021 07:32:01 PM $1,100

11900 05-Mar-2021 07:04:51 PM $1,000

The bidding history list updated on: Thursday, April 18, 2024 11:06:44

LOT 301

CPE OC
1923 - 2008
Canadian

Package One for Christo
colour etching and drypoint
signed, editioned Proof, dated 9-1970 and inscribed "working" and on verso inscribed "BG-E-1970-28" and "P.021" and stamped Studio Betty Goodwin
16 1/2 x 13 3/4 in, 41.9 x 34.9 cm

Estimate: $2,000 - $3,000 CAD

Sold for: $5,000

Preview at:

PROVENANCE
Estate of the Artist

LITERATURE
Rosemarie L. Tovell, The Prints of Betty Goodwin, National Gallery of Canada, 2002, pages 11, 34, listed and reproduced page 130


Please note: the full sheet size of this work is 25 1/2 x 19 5/8 inches.

Born in Montreal in 1923, Betty Goodwin worked for nearly 50 years in a variety of media – painting, drawing, collage, printmaking and sculpture. Often associated with themes of loss, absence and memory, her works are poignant and connect deeply with both the public and critics. In 1968, Goodwin attended Yves Gaucher’s etching class at Sir George Williams University (now Concordia University). This decision proved immensely significant for her career, as printmaking allowed her to reconnect to her artistic beginnings and brought her national and international recognition. In the words of art historian and curator Rosemarie L. Tovell, “over the last three decades, Goodwin has created one of the most significant and original bodies of prints produced by any Canadian artist.”

Similar to her earlier still life paintings, Goodwin focused on household objects for her printmaking practice, often running the actual object through the soft-ground plate to better capture its essence. Parcels were the first subject she worked on in 1969, and they held a personal significance for the artist. At the time, her son was living in Karachi, Pakistan, and parcels were the only physical link between them. In her entry dated October 8, 1970 in her notebook with a blue-taped spine, Goodwin wrote “I identify with the parcel – wrapped up and unknown.”

Package One for Christo is part of a series of prints in homage to Romanian-born artist Christo, who is known for wrapping buildings and landscapes. Goodwin was the only child of Romanian and Jewish immigrants. Package One for Christo corresponds to the front of the same package as the one in Package Two for Christo, which showcases the back.


All prices are in Canadian Dollars


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