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LOT DETAILS
         
         
         
         

This session is closed for bidding.
Current bid: $1,600 CAD
Bidding History
Paddle # Date Amount

24344 24-Sep-2020 01:18:59 PM $1,600 AutoBid

29784 24-Sep-2020 01:18:38 PM $1,500

24344 24-Sep-2020 01:07:11 PM $1,400 AutoBid

325310 24-Sep-2020 01:02:34 PM $1,300

11900 24-Sep-2020 01:00:54 PM $1,200

325310 24-Sep-2020 01:00:30 PM $1,100

11900 24-Sep-2020 12:59:27 PM $1,000

14821 24-Sep-2020 12:56:46 PM $900

325310 24-Sep-2020 12:45:51 PM $800

11900 19-Sep-2020 10:15:55 PM $700

24344 04-Sep-2020 05:57:13 PM $600 AutoBid

The bidding history list updated on: Friday, March 29, 2024 10:03:43

LOT 021

CPE OC
1923 - 2008
Canadian

Untitled
oil on board
on verso inscribed "Ptng.38", numbered "BG-T-(1950-56)-14" on a label and stamped "Studio Betty Goodwin"
8 x 6 in, 20.3 x 15.2 cm

Estimate: $1,200 - $1,600 CAD

Sold for: $2,000

Preview at: Heffel Montreal

PROVENANCE
Estate of the Artist

LITERATURE
Jessica Bradley and Matthew Teitelbaum, editors, The Art of Betty Goodwin, Art Gallery of Ontario, 1998, “The Mourner’s Cry,’’ page 16


After experimenting with a variety of styles and approaches, Betty Goodwin evolved into what Teitelbaum considers her final painting stage by 1964, in which she depicts figures floating freely within the pictorial space, over abstract backgrounds. Liberated from anatomy, posture and gravity, “the figure is released into the imaginative ether, floating, falling or twisting through space in a manner that recalls the work of the Russian-born French artist Marc Chagall,’’ wrote Teitelbaum. Rendered in gestural painterly strokes, these were her most experimental works to date. Displaying Goodwin’s thickly textured brushwork, the surface of Untitled has a sketch-like quality reminiscent of her drawings, a medium she was particularly fond of. Goodwin did not shy away from challenging subjects, but rather approached them head-on, with acuteness. Through her figures, she was able to convey themes of human experience, such as disappearance, memory and resilience. Here, figures are executed in flattened planes of vivid colours, using gestural brushwork. The closeness between them creates tension in the composition. Within its intimate format, she skillfully captures a sense of urgency and vulnerability.


All prices are in Canadian Dollars


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