LOT DETAILS
         
         
         
         
         
         

This session is closed for bidding.
Current bid: $13,000 CAD
Bidding History
Paddle # Date Amount

2328 31-Oct-2019 11:54:23 AM $13,000

37912 28-Oct-2019 11:35:40 PM $12,000

13142 26-Oct-2019 11:16:22 AM $11,000

20941 17-Oct-2019 04:25:24 PM $10,000

2309 08-Oct-2019 07:57:56 PM $9,500

36911 08-Oct-2019 07:00:07 PM $9,000

2309 08-Oct-2019 11:41:06 AM $8,500

36911 08-Oct-2019 10:45:43 AM $8,000

2309 08-Oct-2019 09:43:47 AM $7,500

36911 08-Oct-2019 07:09:55 AM $7,000

2309 08-Oct-2019 04:54:47 AM $6,500

36911 07-Oct-2019 09:06:57 PM $6,000

2309 07-Oct-2019 07:43:36 PM $5,500

20941 07-Oct-2019 07:34:28 PM $5,000

36911 07-Oct-2019 06:47:49 PM $4,750

2309 07-Oct-2019 12:54:42 PM $4,500

20941 07-Oct-2019 07:43:03 AM $4,250

2309 04-Oct-2019 10:24:53 AM $4,000

The bidding history list updated on: Tuesday, April 23, 2024 02:31:34

LOT 241

ARCA OSA
1879 - 1965
Canadian

Portrait of a Man in a Rowboat (Possible Portrait of Tom Thomson)
oil on board, circa 1910 - 1912
signed and on verso signed
9 1/2 x 6 in, 24.1 x 15.2 cm

Estimate: $6,000 - $8,000 CAD

Sold for: $16,250

Preview at: Heffel Toronto – 13 Hazelton Ave

PROVENANCE
Private Collection, Toronto

LITERATURE
Tom Smart, Peter Clapham Sheppard: His Life and Work, 2018, reproduced page 74


This portrait is believed to be of Canadian icon Tom Thomson. Thomson and Sheppard were contemporaries in Toronto’s cultural milieu of the early 1900s. They shared many common points of contact including J.W. Beatty, William Cruikshank and the Ontario Society of Artists. Thomson and Sheppard were even briefly neighbours on Summerhill Avenue in 1912. The two developing artists shared many of the same aesthetic sympathies, as modernism and a new approach to painting began to take root in Canada. They would likely have had numerous opportunities to cross paths and possibly even paint together.

The artist Bernice Fenwick-Martin, a friend and peer of Sheppard, and the manager of his Estate, relayed to the consignor of this work that Sheppard expressed that this portrait was indeed of his friend and neighbour on Summerhill, Tom Thomson.

The circa date ascribed to this painting relates to the period in which Sheppard is known to have used this panel size, which is believed to be a cigar-box lid. The additional images demonstrate the resemblance of Thomson to the subject of the painting, in both physical appearance and dress.

As so few depictions of Thomson exist, this work presents a potentially invaluable addition to Canadian art history.


All prices are in Canadian Dollars


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