LOT DETAILS
This session is closed for bidding.
Current bid: $2,250 CAD
Bidding History
Paddle # Date Amount
822990 21-Apr-2021 01:12:22 PM $2,250
823105 21-Apr-2021 01:08:10 PM $2,000
11232 21-Apr-2021 01:07:27 PM $1,900
823105 21-Apr-2021 01:05:30 PM $1,800
822990 21-Apr-2021 01:04:24 PM $1,700
823105 21-Apr-2021 01:01:41 PM $1,600
822990 21-Apr-2021 01:00:39 PM $1,500
11232 21-Apr-2021 12:59:34 PM $1,400
822990 21-Apr-2021 12:58:39 PM $1,300 autobid
823105 21-Apr-2021 12:58:39 PM $1,200
822990 21-Apr-2021 12:58:05 PM $1,100 autobid
823105 20-Apr-2021 07:35:15 AM $1,000
11232 19-Apr-2021 08:25:10 PM $900
823105 19-Apr-2021 07:10:32 PM $800
11232 16-Apr-2021 08:48:06 PM $700
822990 10-Apr-2021 04:47:40 PM $600
822994 10-Apr-2021 04:26:09 PM $500
11232 10-Apr-2021 03:06:43 PM $450
818431 09-Apr-2021 08:01:37 AM $400

LOT h036

CAS OC PY QMG RCA
1906 - 1988
Canadian

Qu'il arrive même que le fruit tombe avant…, du livre d'artiste "Le Cirque sacré"
colour etching on paper
signed and dated 1983
8 1/2 x 7 3/8 in, 21.6 x 18.7 cm

Estimate: $800 - $1,200

Sold for: $2,813

Preview at: Heffel Montreal

PROVENANCE
Legs Madeleine Poliseno-Pelland Bequest
Fondation du Musée national des beaux-arts du Québec


The beasts created by Alfred Pellan are found throughout all the mediums of his artistic output: drawings, prints, paintings and sculptures. Often born of chance inspiration, at times these beasts take on the appearance of recognizable animals, but more often they spring straight from Pellan’s imagination. Sometimes peaceful and amusing, sometimes menacing, even ferocious, these strange creatures take on a number of human aspects; the artist thus creates a theater where they enact a human comedy. Although depictions of animals appear in Pellan’s works from the 1940s onwards, it is in the early 1970s that the artist introduces the theme of the bestiary, notably with a series of collages on the stonework of his home studio in Sainte-Rose. Multiple variations on this theme would follow and punctuate the remainder of his career, culminating in his last painting: the fantastic Bestiaire no. 26, completed in 1984.

Les bêtes créées par Pellan peuplent tous les territoires de son art : dessins, estampes, peintures, sculptures. Souvent nées d’inspirations fortuites, elles prennent parfois l’allure d’animaux reconnaissables, mais sont pour la plupart tout droit issues de son imaginaire. Tantôt amusantes et paisibles, tantôt menaçantes, voire féroces, ces étranges créatures revêtent plusieurs caractères propres à l’homme, l’artiste ayant ainsi mis en œuvre une sorte de théâtre où se joue la comédie humaine. Bien que des représentations d’animaux figurent dans les œuvres de Pellan dès les années 1940, c’est au début des années 1970 que l’artiste inaugure la thématique du bestiaire, notamment avec une série de collages sur la maçonnerie de sa maison-atelier de Sainte-Rose. De multiples variantes du thème suivront et ponctueront le reste de sa carrière, jusqu’à constituer le sujet de son dernier tableau : le fabuleux Bestiaire no 26, peint en 1984.

We thank Eve-Lyne Beaudry and Marie-Hélène Métivier for the contributing the original French essay.

Please note: the full sheet size of this work is 15 x 11 1/4 inches.

Please note: Consignor proceeds of this Lot will benefit the Fondation du Musée national des beaux-arts du Québec. This lot is accompanied by a certificate of provenance from the Fondation du Musée national des beaux-arts du Québec.

The Buyer is hereby advised to read fully the Terms and Conditions of Business and Catalogue Terms, including our HO2 Sale Notice and any Addendum or Erratum specific to the Fondation du Musée national des beaux-arts du Québec HO2 auction.


All prices are in Canadian Dollars


Although great care has been taken to ensure the accuracy of the information posted, errors and omissions may occur. All bids are subject to our Terms and Conditions of Business.