Vendu pour : 181 250 $

PROVENANCE
Wynick/Tuck Gallery, Toronto
An Important Corporate Collection, Canada

BIBLIOGRAPHIE
Doris McCarthy, Celebrating Life: The Art of Doris McCarthy, McMichael Canadian Art Collection, 1999, page 219

Doris McCarthy’s work was influenced by Group of Seven artist Lawren Harris’s simplification of form, and her father, George McCarthy, an early conservationist, instilled in her a love of nature. McCarthy’s first visit to the Arctic was in 1972, and it was the start of annual trips to the North. After her initial encounter with icebergs, she described “the brilliant turquoise and incredible green of the deep crevasses of glacial ice, the result of the enormous pressure of the weight of that great depth of ice, fifteen metres of it visible, and more than ten times that depth below the surface.” Aurora and the Bergs is a stunning depiction of icebergs, their brilliant white tips emerging from a transparent ocean that reveals their sculptural forms below, in darkening tones of mauve, green and teal. McCarthy has captured an exceptional atmosphere in the stillness of night illuminated by the arc of the northern lights. Globe and Mail art critic John Bentley Mays wrote that paintings like this were a document of “McCarthy’s inward apprehension of what it is to stand on the very edge of the world.”

Tous les prix affichés sont en dollars canadiens

Bien que nous ayons pris soin d’assurer l’exactitude de l’information publiée, des erreurs ou omissions peuvent se produire. Toute enchère est soumise à nos modalités et conditions de vente. Les enchérisseurs doivent s’assurer qu’ils sont satisfaits de la condition du lot avant d’enchérir. Les rapports de condition sont disponibles sur demande.