CPE
1898 - 1992
Canadien
Rush Hour
linogravure en 3 couleurs, 1930
signé, titré et édition
8 x 9 3/4 po, 20.3 x 24.8 cm
Estimation : 25 000 $ - 35 000 $ CAD
Vendu pour : 35 100 $
Exposition à :
PROVENANCE
DeVooght Galleries Ltd., Vancouver, 1978
Private Collection, Toronto
Sold sale of Fine Canadian Art, Heffel Fine Art Auction House, November 28, 2013, lot 102
Private Collection, Toronto
BIBLIOGRAPHIE
Peter White, Sybil Andrews, Glenbow Museum, 1982, reproduced page 52
Stephen Coppel, Linocuts of the Machine Age, 1995, page 108, reproduced page 109, catalogue #SA 9
Clifford S. Ackley, editor, Rhythms of Modern Life: British Prints 1914 - 1939, Museum of Fine Arts, Boston, 2008, reproduced inside front and inside back cover and reproduced page 88
Gordon Samuel, The Cutting Edge of Modernity, Osborne Samuel, 2013, reproduced page 29
Hana Leaper, Sybil Andrews Linocuts: A Complete Catalogue Raisonné, 2015, reproduced page 56
EXPOSITION
Glenbow Museum, Calgary, Sybil Andrews, September 14 - October 22, 1982, same image, catalogue #9
Museum of Fine Arts, Boston, Rhythms of Modern Life: British Prints 1914 - 1939, January 3 - June 1, 2008, traveling to The Metropolitan Museum of Art, New York, same image, catalogue #38
Osborne Samuel, The Cutting Edge of Modernity, April 11 - May 11, 2013, same image
Stephen Coppel writes: “Inspired by the Futurists’ challenge to depict the modern machine age, Andrews, like [Cyril] Power, presents the London Underground as the obvious symbol of modernity. The marching feet of commuters on the escalators are treated as a series of abstracted arcs and curves, suggestive of hurried movement.” The Futurists saw the world as something in constant flux, in ceaseless motion, a state created by the new machine age with its automobiles, trains and airplanes. To the Grosvenor School of printmakers, of which Sybil Andrews was a part, speed and movement as a part of modern urban life was a fascinating subject. Andrews’s compelling linocuts all encapsulate this motion to some degree, and in Rush Hour, it manifests through the commuters and their forward-moving sense of purpose. Strong, stylized shapes and the anonymity of the people put all the emphasis on the message of dynamic motion, resulting in an impactful image charged with energy.
This is a fine impression on thin cream oriental laid paper.
Estimation : 25 000 $ - 35 000 $ CAD
Tous les prix affichés sont en dollars canadiens
Bien que nous ayons pris soin d’assurer l’exactitude de l’information publiée, des erreurs ou omissions peuvent se produire. Toute enchère est soumise à nos
modalités et conditions de vente. Les enchérisseurs doivent s’assurer qu’ils sont satisfaits de la condition du lot avant d’enchérir. Les rapports de condition sont disponibles sur demande.