Vendu pour : 193 250 $

PROVENANCE
Laing Galleries, Toronto
Private Collection, Montreal
Sold sale of Important Canadian Art, Sotheby's Canada, June 13 - 14, 1972, lot 95, titled as Lake in Algonquin Park
John Shortread, Edmonton
Sold sale of Important Canadian Art, Sotheby's Canada, May 19, 1993, lot 179
Private Collection, Toronto

BIBLIOGRAPHIE
Dennis Reid, editor, Tom Thomson, Art Gallery of Ontario / National Gallery of Canada, 2002, page 115
Joan Murray, Tom Thomson Catalogue Raisonné, reproduced, http://tomthomsoncatalogue.org/catalogue/entry.php?id=89, accessed August 21, 2018

The sketches from Tom Thomson’s trips to Lake Scugog are among the earliest of his landscape paintings. They are essential to our understanding of Thomson as an artist and underline the explosive growth he would soon undergo. Within three years he would transform from a charming painter in search of his style to one of the most poetic painters in Canadian art. He joined the design firm of Grip Ltd. in early 1909, and he was encouraged by Grip’s senior artist J.E.H. MacDonald to pursue his painting on weekends. Soon, fishing trips to Lake Scugog northeast of Toronto served as some of Thomson’s first en plein air ventures. Friend and Grip colleague Arthur Lismer later said that prior to these trips Thomson was “not ready to emerge.” Thomson was already into his thirties when he produced sketches such as this one, and considering the greatness of his later accomplishments, section 41 of the Tao Te Ching comes to mind: “Great talents ripen late / The highest notes are hard to hear.” In this sense, Thomson’s Lake Scugog sketches serve as brief and lovely overtures for the sublime notes he would soon play.

This work is included in the Tom Thomson catalogue raisonné, #1911.14, researched and written by Joan Murray, and can be viewed at http://tomthomsoncatalogue.org/catalogue/entry.php?id=89.

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