LOT 023

AUTO CAS OC QMG RCA SCA
1923 - 2002
Canadian

Sans titre
oil on canvas
signed and on verso dated 1958 and inscribed “Riopelle” and variously
18 x 21 3/4 in, 45.7 x 55.2 cm

Estimate: $150,000 - $250,000 CAD

Preview at: Heffel Toronto – 13 Hazelton Ave

PROVENANCE
The Moore Gallery, Hamilton
Private Collection, Ontario

LITERATURE
Jeff Mahoney, “Defining Greatness: Jean-Paul Riopelle’s Paintings Allow Us to Look At, and Question, ‘Great Art,’ ” Hamilton Spectator, November 23, 1996, page W6
Yseult Riopelle, Jean Paul Riopelle Catalogue Raisonné, Volume 2, 1954 – 1959, 2004, reproduced page 313, catalogue #1958.112H.V1958
Yseult Riopelle, preface to Jean Paul Riopelle: The Artist’s Materials, edited by Marie-Claude Corbeil et al., Getty Conservation Institute, 2011, page xi

EXHIBITED
The Moore Gallery, Hamilton, 1996


Painted in 1958, this vibrant untitled canvas finds Jean Paul Riopelle at a moment of artistic transition, when the celebrated mosaic structure of his early 1950s work begins to open into the more expansive and gestural language that would define his work later in the decade. Executed in Paris, where Riopelle was firmly embedded within the city’s dynamic post-war avant-garde, the painting reflects the fertile exchange between European Art Informel and the rising energy of American Abstract Expressionism. The present work is particularly exciting in the way it retains the muscular density of the 1953 to 1955 period while introducing a greater sense of compositional freedom.

Across the surface, Riopelle’s assured palette knife builds a vigorous network of interlocking forms. Thick passages of impasto create a scaffold-like structure that feels both deliberate and instinctive. Unlike the tightly packed fields of his earlier mosaics, the composition here has room to breathe. Forms shift and loosen, creating moments of lift and movement that signal the artist’s growing confidence.

Colour is central to the painting’s impact. Striking passages of cobalt blue electrify the surface, activating the surrounding field with cool intensity. These are set against vivid flashes of crimson red that bring warmth and energy to the composition. Together, these saturated accents play beautifully against the dominant passages of creamy white and soft neutrals, creating a lively and carefully balanced chromatic rhythm.

Riopelle’s physical engagement with paint is fully evident. Pigment is pushed, dragged and layered into a richly sculptural surface that catches the light at every turn. As Yseult Riopelle noted, he valued above all “the direct and spontaneous contact with the elements, digging in with hands full, without sophisticated tools, except perhaps for the custom-made palette knives that he often used in working with paint.”

Both forceful and nuanced, this 1958 canvas brings together the structured mosaic language of Riopelle’s breakthrough years with the looser compositional freedom that would soon follow. Sans titre is a thrilling work from a pivotal and much admired moment in the artist’s career.


Estimate: $150,000 - $250,000 CAD

All prices are in Canadian Dollars


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