Heffel
  • ACHETER
    • VENTES AUX ENCHÈRES
    • VENTE PRIVÉE
    • MONNAIES
    • COMMENT ACHETER
    • S’INSCRIRE POUR FAIRE UNE ENCHÈRE
  • VENDRE
    • COMMENT VENDRE
    • OBTENIR UNE ESTIMATION
    • PARTENARIAT DE VENTE AUX ENCHÈRES EN LIGNE
    • ARTISTES D’INTÉRÊT
  • EXPLORER
    • EXPOSITION VIRTUELLE DE LA VENTE
    • RÉSULTATS EXCEPTIONNELS
    • RÉSULTATS DE VENTES
    • PORTRAITS D’ARTISTES
    • ARTICLES
    • CALENDRIER
  • SERVICES
    • ÉVALUATIONS
    • ABONNEMENT AUX CATALOGUES
    • BASE DE DONNÉES DES PRIX
    • SERVICES MUSÉAUX
    • GESTION DE SUCCESSION
    • ENTREPOSAGE
    • EXPÉDITION
  • À PROPOS DE NOUS
    • NOTRE ÉQUIPE
    • HISTOIRE
    • SOUTIEN AUX ARTS ET À LA CULTURE
  • MONNAIES
  • EN | FR
  • SE CONNECTER


  • TRADUIRE | 翻译 : 
John Harold Thomas Snow
John Harold Thomas Snow
1911 - 2004
ASA CSGA RCA
John Snow was born in Vancouver and lived and worked in Calgary for almost 70 years. Known as a pioneering printmaker who started the first fine art lithographic press studio in Calgary, he was also a painter and sculptor. His extensive body of work is well-known in Calgary, where his vibrant prints grace numerous public and private collections including the Nickle Galleries at the University of Calgary, which has a complete set of his lithographs.

Snow worked as a banker for most of his life, but was deeply interested in art. He was part of a family that included artists and that exposed him to fine art often in his youth, and he began his art career as a watercolour painter. With the outbreak of World War II, he enlisted with the Canadian Air Force and trained as a navigator, and was eventually posted with the Royal Air Force in Gibraltar, where he dropped supplies via paratroopers to various locations in Europe. His work as a map reader and navigator forced him to observe the land below him in a unique manner that would later influence his sense of spatial relations in his prints.

Upon his return to Canada, Snow was eager to become an artist and took a life drawing class at the Provincial Institute of Technology and Arts - then called The Tech - now the Alberta College of Art and Design (ACAD). The class was taught by Calgary modernist painter Maxwell Bates, who had spent five years in a POW camp in Germany. Bates had explored abstraction in Calgary as early as 1928 and his experiences as a prisoner-of-war led to an interest in a style of expressionism heavily influenced by Max Beckmann, whom Bates studied under at the Brooklyn Museum Art School. Bates introduced Snow to printmaking via the woodcut, and in this medium the influence of Beckmann can be seen. Bates and Snow would work together for years, influencing each other strongly. They worked side-by-side, sometimes pulling prints from stones which Snow had discovered abandoned in the alley behind Western Printing and Lithography, a Calgary firm that was upgrading to more modern equipment. Along with the stones, Snow found parts of a press, which he gathered and put back together, eventually purchasing more parts from the same company.

Snow worked tirelessly to promote art in Calgary. He became a technical expert on the lithographic press, hand-pulling each of his prints. He also interested people into his studio to observe and learn from him. He was adamant in his championship of the fine art print, praising not only its quality, but its affordability. Snow wanted people of modest means to be able to acquire fine art. Landscape, the figure, abstract forms and the still life all appear in Snow’s prints. He was known to experiment with modern materials, especially in the 1970s, using plastic doilies, nylon fabric and other types of synthetic cloth to impose pattern over form in his work. Prints of this type speak uniquely of their time, and echo the influx of cheaply made plastics into modern life.

Snow’s dislike of the limelight has resulted in his low profile, but his prints speak for themselves, marking him as a significant figure in the world of Canadian fine art prints.
COMMENT ACHETER
OEUVRES DISPONIBLES
Les résultats record de la Maison Heffel
Set of 31 Prints by John Harold Thomas Snow vendu pour $3,750
John Harold Thomas Snow
Set of 31 Prints
,
Lithographies
Estimation : 4 000 $ - 6 000 $ CDN
Vendu pour : 3 750 $ CDN (Prime d’achat incluse)
Prints & Multiples, jeudi, 27 janvier 2022
Edge of Downtown by John Harold Thomas Snow vendu pour $1,750
John Harold Thomas Snow
Edge of Downtown
24 x 30 in, 61 x 76.2 cm
huile sur toile
Estimation : 2 500 $ - 3 500 $ CDN
Vendu pour : 1 750 $ CDN (Prime d’achat incluse)
Prairie Modern, jeudi, 27 septembre 2018
Painting II by John Harold Thomas Snow vendu pour $1,750
John Harold Thomas Snow
Painting II
24 x 20 in, 61 x 50.8 cm
acrylique sur panneau
Estimation : 1 500 $ - 2 500 $ CDN
Vendu pour : 1 750 $ CDN (Prime d’achat incluse)
January 2016 - 4th Session, jeudi, 28 janvier 2016
Night I by John Harold Thomas Snow vendu pour $1,375
John Harold Thomas Snow
Night I
26 x 20 in, 66 x 50.8 cm
acrylique sur panneau
Estimation : 1 500 $ - 2 500 $ CDN
Vendu pour : 1 375 $ CDN (Prime d’achat incluse)
March 2016 - 5th session, jeudi, 31 mars 2016
Farmyard (02542/2013-772) by John Harold Thomas Snow vendu pour $938
John Harold Thomas Snow
Farmyard (02542/2013-772)
18 x 24 in, 45.7 x 61 cm
huile sur panneau entoilé
Estimation : 1 200 $ - 1 600 $ CDN
Vendu pour : 938 $ CDN (Prime d’achat incluse)
Fall 2015 - Imperial Oil Limited Charity Auction, samedi, 24 octobre 2015
Roadway by John Harold Thomas Snow vendu pour $875
John Harold Thomas Snow
Roadway
10 x 15 in, 25.4 x 38.1 cm
lithographie sur papier
Estimation : 300 $ - 500 $ CDN
Vendu pour : 875 $ CDN (Prime d’achat incluse)
March 2017 - 7th Session, jeudi, 30 mars 2017
Wire Gate by John Harold Thomas Snow vendu pour $875
John Harold Thomas Snow
Wire Gate
14 x 18 in, 35.6 x 45.7 cm
lithographie sur papier
Estimation : 500 $ - 600 $ CDN
Vendu pour : 875 $ CDN (Prime d’achat incluse)
March 2017 - 7th Session, jeudi, 30 mars 2017
Four Works by John Harold Thomas Snow vendu pour $863
John Harold Thomas Snow
Four Works
,
Estimation : 400 $ - 600 $ CDN
Vendu pour : 863 $ CDN (Prime d’achat incluse)
September 2004, samedi, 25 septembre 2004
Priddis Landscape (02948/2013-1349) by John Harold Thomas Snow vendu pour $750
John Harold Thomas Snow
Priddis Landscape (02948/2013-1349)
23 3/4 x 17 3/4 in, 60.3 x 45.1 cm
lithographie sur papier
Estimation : 300 $ - 500 $ CDN
Vendu pour : 750 $ CDN (Prime d’achat incluse)
November 2015 - 4th Session, mercredi, 18 novembre 2015
Motril by John Harold Thomas Snow vendu pour $688
John Harold Thomas Snow
Motril
26 x 20 in, 66 x 50.8 cm
acrylique sur panneau
Estimation : 1 500 $ - 2 500 $ CDN
Vendu pour : 688 $ CDN (Prime d’achat incluse)
November 2015 - 7th Session, samedi, 28 novembre 2015

RESTEZ À L’AFFÛT

Le prénom est requis
Le nom est requis
Inscrivez-vous
Courriel requise. Veuillez inscrire une adresse courriel valide

SUIVEZ-NOUS

Twitter X Logo

En inscrivant votre adresse courriel, vous acceptez de recevoir des courriels de la Maison Heffel.
Vous pouvez vous désinscrire en tout temps en nous contactant.

Questions fréquentes
Modalités et conditions de vente aux enchères
Calendrier
Termes du catalogue
Modalités et conditions de vente privée
Actualités
Avis de récupération
Conditions d’utilisation du site Web Heffel.com
Contactez-nous
Déclaration de confidentialité
Code d’attitude commerciale, d’éthique et de pratiques
Emplois

© Heffel Gallery Limited, 2025