LOT DETAILS
                      
                      
                      
                      

This session is closed for bidding.
Current bid: $13,000 CAD
Bidding History
Paddle # Date Amount

951541 28-May-2026 04:59:28 PM $13,000 AutoBid

818689 28-May-2026 04:59:27 PM $12,000 AutoBid

951541 28-May-2026 04:59:26 PM $11,000 AutoBid

818689 28-May-2026 04:59:24 PM $10,000 AutoBid

951541 28-May-2026 04:59:24 PM $9,500 AutoBid

818689 28-May-2026 04:20:44 PM $9,000 AutoBid

951541 28-May-2026 04:20:43 PM $8,500 AutoBid

818689 28-May-2026 04:20:41 PM $8,000 AutoBid

951541 28-May-2026 02:59:43 PM $7,500 AutoBid

37967 28-May-2026 02:59:42 PM $7,000 AutoBid

951541 28-May-2026 02:59:42 PM $6,500 AutoBid

37967 28-May-2026 02:59:41 PM $6,000 AutoBid

951541 28-May-2026 02:59:40 PM $5,500 AutoBid

37967 28-May-2026 02:59:39 PM $5,000 AutoBid

951541 28-May-2026 02:59:38 PM $4,750 AutoBid

37967 28-May-2026 02:36:57 PM $4,500 AutoBid

951541 28-May-2026 08:16:49 AM $4,250 AutoBid

20928 27-May-2026 06:32:19 PM $4,000

The bidding history list updated on: Saturday, September 05, 2026 11:21:02

LOT 602

CPE
1898 - 1992
Canadian

Mangolds
linocut in 4 colours, 1956
signed, titled and editioned 41/60
12 1/2 x 14 1/2 in, 31.8 x 36.8 cm

Estimate: $8,000 - $12,000 CAD

Sold for: $16,250

Preview at:

PROVENANCE
Acquired directly from the Artist, Campbell River
Private Collection, Campbell River

LITERATURE
Peter White, Sybil Andrews, Glenbow Museum, 1982, reproduced page 62
Stephen Coppel, Linocuts of the Machine Age, 1995, reproduced page 121, catalogue #SA 56
Hana Leaper, Sybil Andrews Linocuts: A Complete Catalogue Raisonné, 2015, reproduced page 110, catalogue #65

EXHIBITED
Glenbow Museum, Calgary, Sybil Andrews, September 14 – October 22, 1982, same image, catalogue #51


Sybil Andrews is renowned as a founding member of the London-based Grosvenor School of Modern Art (1925 – 1940), focused on avant-garde linocut printmaking. Using this accessible, “democratic” medium, members of the school captured the speed and movement of the machine age through their use of bold colour and dynamic rhythm, with subjects ranging from industry to sport to urban life.

In 1947, Andrews immigrated to Canada with her husband, Walter Morgan, a co-worker from the Hythe shipyard where they had worked during World War II. After moving to Campbell River, BC, Andrews built a studio on her rural property at Willow Point and continued to produce art. In 1960, she began to offer private art lessons at her home.

The consignor of this work was part of a group of aspiring lino printmakers mentored by Andrews in Campbell River from about 1980. She purchased this print directly from the artist.

Andrews’s memories of Suffolk rural life recur in a number of her prints, including this striking linocut executed after she immigrated to Canada. This is a superb impression with vibrant colours.


All prices are in Canadian Dollars


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