LOT DETAILS
                      
                      
                      
                      

This session is closed for bidding.
Current bid: $6,000 CAD
Bidding History
Paddle # Date Amount

33773 26-May-2026 10:57:05 PM $6,000

The bidding history list updated on: Friday, September 11, 2026 06:40:23

LOT 614

CGP CSGA CSPWC FRSA MSA OSA PRCA
1900 - 1994
Canadian

The Heintzman House
watercolour on paper on canvas
signed and dated 1936 and on verso inscribed "#42"
31 x 32 in, 78.7 x 81.3 cm

Estimate: $6,000 - $8,000 CAD

Sold for: $7,500

Preview at:

PROVENANCE
Private Collection, Toronto
By descent to a Private Collection, Ontario
Heffel Fine Art Auction House, November 26, 2011, lot 613
Acquired from the above by the present Private Collection, Calgary

LITERATURE
Margaret Gray et al, Charles Comfort, 1976, reproduced page 25
Heather Hatch, From the Shadows: A Portrayal of Toronto in the '30s and '40s, The Market Gallery - City of Toronto Archives, 1985, page 12 and listed page 22

EXHIBITED
Winnipeg Art Gallery, Charles Fraser Comfort: Fifty Years, October 19 - November 20, 1972, traveling to the Art Gallery of Windsor, January 2 - 29, 1973, the Art Gallery of Hamilton, February 15 - March 14, 1973, and the Confederation Art Gallery and Museum, Charlottetown, April 1973, catalogue #14
The Market Gallery - City of Toronto Archives, From the Shadows: A Portrayal of Toronto in the '30s and 40s, April 20 - July 21, 1985


The Heintzman House by Charles Fraser Comfort is a striking watercolour that captures both architectural presence and atmospheric quiet. Measuring 31 by 32 inches, the work depicts a stately historic residence set within a winter landscape, its pale façade contrasting with the darker, encroaching trees. Comfort’s handling of watercolour reveals a sensitivity to tone and structure, balancing precision with softness to evoke a sense of stillness and quiet contemplation.

Born in Edinburgh in 1900 and later establishing his career in Canada, Comfort was a versatile artist recognized for his work as a portraitist, muralist, and landscape painter. By the mid-1930s, when this painting was executed, he had become firmly established within Toronto’s artistic community and was working alongside prominent figures such as A.Y. Jackson.

The house depicted stood at the corner of Sherbourne and Wellesley streets in Toronto. For a time, it formed part of Wellesley Hospital before being demolished to make way for a modern addition. As such, the painting functions not only as an aesthetic study but also as a historical document, preserving the memory of a building that no longer exists. Comfort transforms this architectural subject into a quietly evocative meditation on time, place, and memory.


All prices are in Canadian Dollars


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